exhibition

This Hideous Replica

Lifting its title from a misheard line in a 1980 song by The Fall about a reclusive dog breeder whose ‘hideous replica’ haunts industrial Manchester, this experimental project—an admixture of artworks, performances, screenings, workshops, a ‘replica school’ and other uncanny encounters—adopts monstrous replication as a tactic, condition and curatorial framework for exploring algorithmic culture, simultaneously alienating, seductive and out-of-control. 

Exhibition includes works by:
Amy May Stuart, Angie Waller, Anna Vasof, Debris Facility Pty Ltd, Diego Ramírez, Emile Zile, Joshua Citarella, Liang Luscombe, Loren Adams, Masato Takasaka, Matthew Griffin & Heath Franco and Mochu.

Performances, talks and workshops by:
Catherine Ryan, Ceri Hann, ‘cheerleading is without spirit’ collective, Chloë Sobek, Darcy Wedd, Eryk Salvaggio, Holly Childs, James Rushford, Jenny Hickinbotham, Jennifer Walshe, Joel Sherwood Spring, Marcus McKenzie, McKenzie Wark, Panda Wong, Roslyn Orlando, Sophie Penkethman-Young and Tomomi Adachi.

Curated by Joel Stern and Sean Dockray.

This Hideous Replica has been produced by RMIT Culture and supported by the ARC Centre of Excellence for Automated Decision-Making and Society (ADM+S), the RMIT Design and Creative Practice Enabling Impact Platforms and Monash Art, Design and Architecture (MADA). This project is a part of the City of Melbourne’s Now or Never festival. This project has been assisted by the Australian Government through Creative Australia and by the Victorian Government through Creative Victoria. With hosts Miscellanea, Dogmilk, Omniversal Hum, Make it Up Club, RMIT non/fictionLab, RMIT Music Industry Research Collective and RMIT Design and Sonic Practice.

Image: Mochu, GROTESKKBASILISKK! MINERAL MIXTAPE, 2022, digital video (still), Image courtesy of the artist.

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