RMIT Focus on Indigenous culture: Ngarara Place & Streets of Papunya

The launch on May 30 of RMIT University’s Reconciliation Action Plan (RAP) and opening the newly completed Indigenous Garden – “Ngarara Place” – on RMIT’s City campus has kept the focus firmly on Indigenous culture during the busy events as part of the current RMIT Gallery exhibition Streets of Papunya.

The launch of RMIT’s RAP and the opening of “Ngarara Place” featured special guest performer Dan Sultan to celebrate National Reconciliation Week on our City campus.

Dan delighted audiences when he performed at the November 2013 opening of the RMIT Gallery exhibition Music, Melbourne + Me.

The RAP and RMIT’s current endeavours in reconciliation are the culmination of a 25-year journey that the University is determined to continue into the future.

Likewise, the Streets of Papunya exhibition is part of RMIT Gallery’s long standing commitment to showing exhibitions of Indigenous artwork, and works by Indigenous artists. Here are some of the photos of the Streets of Papunya exhibition opening and public programs, which included visits by Papunya artists.

Indigenous art exhibitions at RMIT Gallery:

Streets of Papunya: The reinvention of Papunya painting

6 May – 11 June 2016

Celebrating the renaissance of painting that has occurred in one of the best-known locations of art production in Central Australia, since the establishment of the Papunya Tjupi Arts Centre in 2007.

Richard Bell: Imagining Victory

11 MARCH – 23 APRIL 2016

Leading Australian artist Richard Bell’s trilogy of video projects digs beneath the veneer of cultural integration to expose how racism can be deeply embedded and passed on to future generations. See the virtual tour of the exhibition.

Garnkiny: Constellations of Meaning


This exhibition included works by Gija artists, both past and present, which explored aspects of the rich and significant story Garnkiny Ngarranggarni (Moon Dreaming).

Warlayirti: The Art of Balgo


Warlayirti examined the aesthetic divergences and vibrancy that distinguishes the art of Balgo and the importance of Christianity to the Balgo community as a means of cross cultural communication.

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