Exploring the legacy of 1980s subculture – Ash Wednesday & Darrin Verhagen

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Einsturzende Neubauten’s Klangbewegung Maschine by (((20Hz))). Photography: Mark Ashkanasy, RMIT Gallery.

Join us at RMIT Gallery on Tuesday 8 December 1-2 pm as sound artist and RMIT senior lecturer Darrin Verhagen and sound designer and musician Ash Wednesday discuss the legacy of 1980s subculture on their music and sound design.

Ash Wednesday is an innovative Australian synth pioneer and a member of self-styled groups, JAB (1976 – 1979) and MODELS (1979 – 1980), where he combined analog synthesizer and experimental tape textures with punk/rock rhythms. He continued working with electronics throughout the 80’s with numerous and diverse, but relatively low profile projects – most notably, perhaps, being ‘Modern Jazz’, an ingenious, impromptu assemblage of electro-based, musicians/non musicians, performing live on stage to a randomly programmed drum machine/sequencer beat.

Darrin will discuss the research behind the intriguing Einsturzende Neubauten’s Klangbewegung Maschine by (((20Hz))). This single participant installation for sound, movement, vibration and light invites participants to experience a viscerally embodied, multisensory internalization of three classic Einsturzende Neubauten tracks. The Klang is current installted in RMIT Gallery as part of the exhibition Geniale Dilletanten: Subculture in Germany in the 1980s.

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Einsturzende Neubauten’s Klangbewegung Maschine by (((20Hz))).  Vicki Jones Photography, RMIT Gallery, 2015.

What: The legacy of 1980s subculture on sound design.

Who: Darrin Verhagen and Ash Wednesday

When: Tuesday 8 December 1-2 pm

Where: RMIT Gallery, 344 Swanston Street Melbourne.

Bookings: Free. (03) 9925 1717

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