Photographer Terry Burrows will be giving an artist talk on Friday 20 March, 12.30-1.30 pm at RMIT Gallery.
RMIT Gallery throws open its doors to the public with two new exhibitions inspired by India with the official opening on Thursday 26 march from 6-8 pm. The exhibitions – Backs of Banaras and Unfolding: New Indian Textiles will run until 30 May, and be officially opened from 6-8 pm on Thursday 26 March with an address by Ms Manika Jain, Acting High Commissioner of India.
Backs of Banaras
Banaras is known as the city of Shiva, one of India’s most revered sites of Hindu ritual. In this exhibition, Sydney based photographer Terry Burrows captures the cultural wealth and contradiction that is contemporary India. Selected from the complete series of 1008 photographs (an auspicious number for Hindus) that feature in his The Banaras Back Book, this parade of backs, mostly male and strangely impersonal, conveys much of the cultural wealth and contradiction that is contemporary India.
The subjects are draped in their personal cloth and form a visual essay in the textiles of the everyday. These photographs were taken during a five-month residency that Burrows completed in Varanasi in 2010/11. The contrast of traditional religious ritual amidst contemporary street life is intriguing and Burrows argues it is portrayed particularly prominently with Hinduism.
Terry Burrows will be giving a talk about his photographic practice and on photographing in India on Friday 20 March from 12.30-1.30 pm. Bookings RMIT Gallery (03) 9925 1717.
Who should be photographed – how and why? Terry will explore the politics of photographing a subject ‘by stealth’. Should an artist get permission – or not? Is photographing someone’s back the same as their face? Is it different in a country like India – especially if you are a Western photographer? A fascinating insight into a complex issue about rights and responsibilities of an artist to coincide with his exhibition.
Unfolding: New Indian Textiles
Indian textile designers are the envy of the rest of the world because they continue to have close, easy contact with all manner of hand production and crafts no longer available elsewhere.
This vibrant new exhibition places contemporary Indian textile designers and artists within the wider context of international art and fashion and examines the reinvention of traditional textiles through the sari, uncut cloth, street wear as well as textiles and fibre as contemporary art.
Unfolding: New Indian Textiles has been developed by independent curator, public art coordinator and artist Maggie Baxter to coincide with her new book on contemporary Indian textiles. Ms Baxter has travelled to India for more than two decades, where she has worked with traditional crafts in the Kutch region of North West India since 1990. The Indian village remains a constant presence in textile production terms of tradition and subject matter, drawing extensively on the daily life and popular culture of villages and marketplaces.