We are all fascinated by artistic practice and the ‘working out’ of process that offers us a ‘behind the scenes’ glimpse of how creative work is developed. But what of the finished product?
German sound artist Abel Korinsky, who is in Melbourne on a two month residency with Experimenta and RMIT, gave audiences an insight into his process when he joined theoretical astrophysicist Dr Katie Mack and RMIT’s Lawrence Harvey, Associate Professor and Director of SIAL Sound Studios, on 29 October, 2014 at RMIT Gallery to talk about space – art – and Big Bang Sounds.
Missed the talk? Catch up with the podcast and blog – click here.
You can now see Abel Korinsky’s finished artwork using the ideas of the resonance of Big Bang sounds as inspiration for RL2000, by visiting the exhibition Experimenta Recharge: 6th International Biennial of Media Art at RMIT Gallery until 21 February.
Korinsky’s artwork RL2000 2014, a sound and mixed media installation, picks up on the ideas he discussed in the Melbourne Knowledge Week talk available on podcast, and asks audiences to imagine that sound never fully disappears and is present in our universe forever. What would it sound like to hear all the sounds of the past and present? How would it change our perceptions of time and death?
As part of the sound artist collective Korinsky (together with his twin brother Carlo, and younger brother Max) Abel presents the sound piece in an immersive installation inspired by the recent announcement by researchers at the Harvard-Smithsonian Centre that they had documented sound waves from the Big Bang soon after the birth of our universe. In a room in RMIT Gallery where the work is exhibited, when the lights go off intermittently the audience is plunged into darkness which quickly fills with fluorescent glow of paint on the spider-like central pod that is reminiscent perhaps of a 1950s Sci Fi movie set design.
The artists invite audiences to imagine the implications of hearing sounds from the past and to place themselves in a situation where perceptions of time, space and place might be disrupted.
Korinsky’s work has been developed during a residency with Experimenta as part of the EMARE AUS
CDN Move On Exchange (European media artists in residence in exchange with Australia and
Canada). This program is supported by the Culture 2013 Programme of the European Commission.